Postmodernism task 3 Kick Ass intertextuality of soundtrack/score

I'm looking at the intextuality in Kick Ass and the problems with the accidental intertextual references the score/soundtracks cause.
Here are the tracks i'll be looking at

No.	Title	Performed by	Length
1.	"Stand Up"	The Prodigy	5:08
2.	"Kick Ass (Radio Edit)"	Mika vs. RedOne	3:11
3.	"Can't Go Back"	Primal Scream	3:46
4.	"There's a Pot a Brewin'"	The Little Ones	3:13
5.	"Omen"	The Prodigy	3:54
6.	"Make Me Wanna Die"	The Pretty Reckless	3:55
7.	"Banana Splits (Kick-Ass Film Version)"	The Dickies	2:04
8.	"Starry Eyed"	Ellie Goulding	2:57
9.	"This Town Ain't Big Enough For The Both Of Us"	Sparks	3:03
10.	"We're All In Love"	The New York Dolls	4:50
11.	"Bongo Song"	Zongamin	5:00
12.	"Per Qualche Dollaro in Più (For a Few Dollars More)"	Ennio Morricone	2:53
13.	"Bad Reputation"	The Hit Girls	2:56
14.	"An American Trilogy"	Elvis Presley	4:31

A YouTube video of each song follows for examples.

• Prodigy's Stand Up

• Prodigy Omen

• Primal Scream Can't Go 

• There's a pot a brewin by The Little Ones

will complete later